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Issue 32 (1/2014)

Issue 32 (1/2014)

Expression in Asian Philosophy and Art

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Informacje o tomie i spis treści / About the volume and table of contents
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Bin You and Rafał Banka, Preface
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Marina Kravtsova, On Poetic Discourses and Ways of Expression of ‘Empty’ and ‘Silence’ Categories in the Chinese Lyric Poetry of Six Dynasties (Liu Сhao, III‒VI A.D.) and Tang (VII‒X) Epochs
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Sandra A. Wawrytko, The Interpenetration of Art and Philosophy in East Asian Poetry: the Metaphysical Threat to the Platonic Hierarchy
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Rafał Mazur, Spontaneous Expression and Spontaneous Improvisation ‒ What Contemporary Improvising Artists Can Learn from Chinese Artists-Philosophers
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Jinli He, Rafał Banka, The Great Body Has No Shape, the Great Art Is Embodied. Conception of Body in Zhang Huan’s Performance Art
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Marta Kudelska, The Hierarchy of the Transcendentals According to the Advaita Vedānta
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Katarzyna Pażucha, Notes Towards Defining ‘Theory’ (Śāstra) in Sanskrit; Systematic Classification Presented in Rājaśekhara’s Kāvyamīmāṃsā
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Anna I. Wójcik, The Image of the World in Yijing 易经 – an Attempt to Identify the Intellectual Context Proper to Chinese Philosophy
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Agnė Budriūnaitė, Tension Between Illusion and Reality in Zhuangzi’s ‘Dream of the Butterfly.’ Philosophical Analysis of Western Reception
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Bin You, To Be Harmonious with the Heaven, the Others and the Self: Late-Ming Christian Literati Li Jiugong’s Meditation and His Comparative Scriptural Interpretation
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Chengyou Liu, The Virtue Reality of Humanistic Buddhism by Ven. Yinshun
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Leszek Sosnowski, Body ‒ Tradition ‒ Expression. Remarks om Japanese Culture
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Noty o Autorach / Notes on Authors
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