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Issue 31 (4/2013)

Issue 31 (4/2013)

Witkacy in English: 21st Century Perspectives

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Informacje o tomie i spis treści / About the volume and table of contents
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Dedication
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Kevin Anthony Hayes, Introduction
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Acknowledgements
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Janusz Degler, Dedication to the Founding Mother and Fathers
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Lech Sokół, Daniel Charles Gerould (1928–2012) In Memoriam
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Anna Brochocka, The History of the Witkacy Collection in Słupsk
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Beata Zgodzińska, The Witkacy Collection and Exhibition at the Museum of Middle Pomerania in Słupsk
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Stanisław Ignacy Witkiewicz, The Rules of the Portrait-Painting Firm (trans. Beata Brodniewicz)
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Daniel Gerould, Witkacy and Conspiracy Theories
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Anna Żakiewicz, Witkacy’s Paintings as Frozen Drama
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Anna Żakiewicz, Witkacy’s Paintings as Frozen Drama (illustrations)
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Małgorzata Vražić, Witkiewicz-Father and Son: The Double Portrait
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Michael Goddard, Cinema, Insatiability and Impure Form: Witkacy on Film
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John D. Barlow, Witkiewicz’s Theory of Pure Form and the Music of Morton Feldman
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Gordon Ramsay, Futurism and Witkiewicz: Variety, Separation and Coherence in a Theatre of Pure Form
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Agnieszka Marczyk, The Witkacy – Cornelius Correspondence, or How to Cure Gout with Transcendental Philosophy
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Paweł Polit, Philosophical Marginalia by Stanisław Ignacy Witkiewicz
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Bryce Lease, Cutting the Romantic’s Throat: Witkacy’s Nasty Nightmare
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Mark Rudnicki, The Profane and the Sacred in Insatiability
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Ewa Wąchocka, Identity Traps in Witkacy’s Dramas
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Dorota Niedziałkowska, Witkacy’s Self-Portraits as Manifestations of the Dandy Figure
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Christine Kiebuzińska, Witkacy and Ghelderode: Goethe’s Faust Transformed into a Grotesque Cabaret
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Marta A. Skwara, What is still not known about Witkacy’s Intertextuality? An Analysis of Witkacy and Słowacki
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J. Greg Perkins, Eluding the Void: Art and Humour as Anodynes for Witkiewicz, Beckett and Faulkner
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Annex: Witkacy’s Portraits and the Słupsk Collection (part 1)
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Annex: Witkacy’s Portraits and the Słupsk Collection (part 2)
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Noty o Autorach / Notes on Authors
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