Nawigacja okruszkowa
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Instytut Filozofii
Uniwersytet Jagielloński
ul. Grodzka 52
31-044 Kraków
telefon: 00 48 694 963 587
Redaktor naczelny:
prof. dr hab. Leszek Sosnowski
email: leszek.sosnowski@uj.edu.pl
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Deadline Extension CFP: “Behavioral Aesthetics. Techne–Desire–Savoir-faire”, 52 (1/2019).
The editors have extended the deadline for full paper submissions to issue No. 52 1/2019 (Behavioral Aeshtetics: Techne, Desire, Savoir-faire). All Authors who have not yet sumitted their manuscripts are invited to submit by November 10, 2018. For your convenience, a repost of the first CFP with the submission deadline updated can be viewed below.
więcej o Deadline Extension CFP: “Behavioral Aesthetics. Techne–Desire–Savoir-faire”, 52 (1/2019).
CFP: 'The Affective Aesthetics of The Body in Pain' 51 (4/2018): Paper submission date extension
Due to the large number of request we have extended the deadline for full paper submissions to the issue 'The Affective Aesthetics of The Body in Pain' 51 (4/2018). All Authors who have not yet submitted their manuscripts are invited to submit up to August 15, 2018.
więcej o CFP: 'The Affective Aesthetics of The Body in Pain' 51 (4/2018): Paper submission date extension
CFP: “Improvisation in Contemporary Art”, 54 (3/2019)
Editor: Adel-Jing Wang (Zhejiang University, China) and Rafał Mazur (Independent researcher, Poland). Submission Deadline: March 31, 2019.
więcej o CFP: “Improvisation in Contemporary Art”, 54 (3/2019)
CFP: “Revisiting Historical Intersections in Art and Aesthetics”, 59 (4/2020)
Editor: Zoltán Somhegyi (University of Sharjah, United Arab Emirates). Submission Deadline: March 30, 2020.
więcej o CFP: “Revisiting Historical Intersections in Art and Aesthetics”, 59 (4/2020)
CFP: “The Affective Aesthetics of The Body in Pain”, 51 (4/2018)
Editors: Luz Mar González-Arias (University of Oviedo, Spain), Monika Glosowitz (University of Silesia, Poland). Assistant Editor: Miłosz Markiewicz (University of Silesia, Poland). Submission Deadline: July 15, 2018.
więcej o CFP: “The Affective Aesthetics of The Body in Pain”, 51 (4/2018)